O3A Decoder - 22.2
Host Support
Host Type | Support |
---|---|
AAX | No |
VST2 | Yes |
Audio
Channels | Content | |
---|---|---|
Input | 16 | O3A |
Output | 24 | Hamasaki 22.2 |
Controls
Description
This plugin takes a third order ambisonics (O3A) mix and decodes it as a 24 channel Hamasaki 22.2 surround mix.
Channels
The channel ordering used is:
Channel | VST |
---|---|
1 | Front Left |
2 | Front Right |
3 | Front Centre |
4 | LFE Left |
5 | Back Left |
6 | Back Right |
7 | Front Left/Centre |
8 | Front Right/Centre |
9 | Back Centre |
10 | LFE Right |
11 | Side Left |
12 | Side Right |
13 | Top Front Left |
14 | Top Front Right |
15 | Top Front Centre |
16 | Top Centre |
17 | Top Back Left |
18 | Top Back Right |
19 | Top Side Left |
20 | Top Side Right |
21 | Top Back Centre |
22 | Bottom Front Centre |
23 | Bottom Front Left |
24 | Bottom Front Right |
Note that 22.2 needs 24 channels in total, which is even more than the 16 that O3A normally needs. Don't forget to check your DAW channel count.
The plugin is available in the O3A Decoding plugin library.
Controls
Control: Method
Three methods are supported, "Basic", "Reconstruction" and "Tinted Reconstruction". Generally, "Basic" is recommended except where the speaker rig to be used for playback is known and has been set up accurately.
Method | Description |
---|---|
Basic | This method produces a resilient decoding which should play well on a range of speaker systems including large venues. |
Reconstruction | This method controls the soundfield at the centre of the listening space to produce a clearer spatial image. It relies on the speaker layout being set up accurately. |
Tinted Reconstruction | This variant of the Reconstruction method performs HRTF-based tinting on the audio stream to strengthen the spatial image. Again, it relies on the speaker layout being set up accurately. |
Control: LFE Crossover
This determines if any audio is sent to the LFE channel. It may be set to "Off" and this is recommended. If enabled, audio is extracted from the main mix into the LFE channel using the indicated crossover frequency (between 1 and 200Hz).
Control: LFE Gain
If the LFE gain is active, this gain is applied to it. Some export formats may need this set to -10dB to take into account a +10dB gain applied during playback.
Please note that a further -6dB is applied in addition to this setting to compensate for the presence of two LFEs in the 22.2 configuration.
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